How to Create Incredible Photoshop Brushes from Hand-Made Art

How to Create Incredible Photoshop Brushes from Hand-Made Art

There is a huge collection of great Photoshop brushes here at WeGraphics. But what some don’t realize is that most all of our brushes are created by hand and then scanned and converted to brush sets. There are simply no Photoshop filters to reproduce what you can do by hand with brushes and paper. Below is a walk through of my process for creating a brush set, down to the paper and paint to the scan and final prep work.

For this tutorial I’m going to walk through the process and technique I used to create the Ink and Bleach Splatter Brush Set posted a couple of weeks back.

First let’s start with…

The Tools

For this set I used Strathmore Newsprint for the paper. I like newsprint for some techniques because it’s very soft and thin and almost like cloth. It can be soaked with liquid and then dry without being totally destroyed. I’ve gone so far as to completely dunk a sheet of newsprint into water, and it still stayed in tact.

For the ink/paint I’m using an inexpensive black acrylic paint that can be found at any hobby store. We’re going to thin this paint down with water to the consistency of ink.

For good measure, I’m throwing in some bleach. Awesome effects can occur when you introduce bleach into the mix. It not only effects the paint but also effects the paper as well. This is a great example of trying something off the wall. The most important part of creating Photoshop brushes is to experiment wildly.

You’ll need a nice collection of brushes, but don’t buy expensive ones. Instead grab a tone of cheap ones in all shapes and sizes. Different sized brushes in varied shapes produce different effects, so it’s nice to have a variety on hand.

The Process

I’m going to start by adding bleach to one of my glasses and paint to the other.

We want to thin the paint down in order to splatter it. I used just a bit of water to get the paint to the consistency of ink.

You can see from the above photo that the paint is much thinner than what’s originally in the bottle. But don’t get it too thin or it will spread and soak into the paper too much and we’ll lose contrast in the final brush.

Next, I poured a little bit of bleach onto the newsprint.

Be careful here, we don’t want too much, just a nice puddle that we can add our paint to.

Okay, now for things start to get fun. I dipped the brush into the paint, and held it an inch or two above the bleach puddle and used my finger to “flick” the bristles. This creates a nice splatter effect.

Now repeat this several times in slightly different directions, and don’t be afraid to mess up. This is not an exact process, just keep working until you are happy with the result.

You can see from the above photo that the paint behaves different over the bleach puddle and on the bare paper.

One brush down… Now we’ll have to wait for the bleach to dry before laying on the scanner.

Word of caution… You’re going to get messy. That’s part of it… And you might smell like bleach for a day or two. All in the name of art, right?

Scanning and Finishing Up

Next I scanned the image. Below is the result of the scanned image with no alteration within Photoshop.

To create the brush I started with a blank canvas set to Grayscale 2500×2500 pixels. This is the max allowed brush size within Photoshop.

I then copied the scan over to the new document and resized and angled the splatter a bit to fit within the square document.

Now we want to take out all of the gray so that we’re left with only black and white. To do this go to (Image | Adjust | Levels). Below are the setting that I needed to remove all gray. This will vary depending on your scan.

Now we can create the brush by going to (Edit | Define Brush Preset…). Now the brush is saved to the brushes palette as the very last brush in your current library.

Here’s a shot of my final brush.

Now let’s take it for a test drive. The piece below was created in minutes using only this brush plus a skull from the Hand Drawn Vector Skulls collection and a grunge texture from the Subtle Grunge Textures pack.

Download my brush for a closer look.

Conclusion

Hopefully after reading this tutorial you can see how stepping away from the computer and creating something by hand can add a creative touch to your art. Experiment with this process and see what you can create, then come back and share it with us using the comment fields below. Happy designing!

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Nathan Brown

Nathan Brown is a graphic designer who loves working with various media. He combines traditional art styles with a little experimentation and digital flare. Nathan's works have contained everything from ink and paint to leaves and a box of dirt. Everything is fare game when it comes to his approach to art. Nathan lives in Austin, Texas where he has been working as a designer for 10 years. More of his work can be viewed at GraphicMonkee.

9 Comments

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  1. That is a amazing brush. I really like to make my own brushes now. thanks :)

  2. That’s really cool Nathan. thanks for the tutorial and the brush.

  3. Cool article! Some very useful tips here on how to bring the traditional into the digital world. Thanks for sharing.

  4. Thanks guys! I appreciate the kind words.

  5. Ha Ha Ha
    behind the Skull..
    Cool
    Nice effort

  6. completely stands out.

  7. Thanks for the great tutorial! Looks like a fun project that I can share with my kids.

  8. Hi I’m new here … that is so cool! Congratulations Nathan, you made a great work and thanks for share. I’ll be glad to work with that soon :)

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