There is a huge collection of great Photoshop brushes here at WeGraphics. But what some don’t realize is that most all of our brushes are created by hand and then scanned and converted to brush sets. There are simply no Photoshop filters to reproduce what you can do by hand with brushes and paper. Below is a walk through of my process for creating a brush set, down to the paper and paint to the scan and final prep work.
Like so many others, I began my design career by experimenting with Adobe Photoshop. At the time bitmap graphics were more accessible and more easy to understand. Vector graphics, Adobe Illustrator and especially bezier curves contained a shroud of mystique, and I was having too much fun with Photoshop to see what was behind Illustrator’s magic curtain. Fast forward a few years later when I began to dabble in logo design, and suddenly Illustrator became the go-to tool. What amazed me was how much I had missed out on by not picking up Illustrator along side Photoshop in the beginning.
Since the release of Roundfolio, I’ve received a lot of requests in regards to the round gallery images and how they were created. The round thumbnail is really just one transparent PNG image overlaying each thumbnail in the gallery. You typically see PNG images used as subtle shadows or image borders, but with Roundfolio we took it a step further and created a full transparent mask to change the shape of the thumbs. Let’s take a closer look at how this is done, and a bit of HTML/CSS to make it all work.
Since launching the Roundfolio One Page Portfolio Template last week, I’ve gotten several requests for a tutorial on how to edit the HTML. In response I’ve put together a quick video tutorial that runs through some of the structure to show you how easy Roundfolio can be updated and managed.
One of the best things about Photoshop is that you never stop learning. I’ve been working with the software for about 12 years, and I always stumble across something I didn’t know, whether it be a new feature, or just a new, better way of doing something. There are countless tips and tricks to help boost your productivity and work flow some are obvious and easy to find while some you have to dig a little to seek them out. In this post I’m going to reveal 25 of the best advanced techniques to help you design faster and better within Adobe Photoshop.
Along with our incredible premium resources that we post daily here at WeGraphics, we post a ton of great free resources as well. I thought this might be a good time to round some of them up into one convenient post. In the comment field below let us know what you think of this selection of free resources.
In this tutorial we’re going to explore how to recreate an awesome video cover art with just a couple of photos and a single Photoshop brush set. The intent of this tutorial is to show you how what looks like a complex design can really be very simple when deconstructed.
Nothing makes designing non-destructively in Photoshop easier than Smart Objects. If you’re not familiar with the term “non-destructive design” it basically means to apply effects and edits to a layer without destroying that layers original contents. With Smart Objects and Smart Filters you’re applying your filters separately as you would layer styles, they remain editable and can also be partially removed like a layer mask.
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